We sang Come, come ye saints, in honor of the pending pioneer day. I was inspired by how the Mormon Tabernacle Choir is singing it. They sing it v1. women, very quietly. v2 men, a little louder. v3 All parts, and louder. v4 All parts, Loud and building. Each verse modulate in key and adds to the dynamics and mood. Typically, in church we start the 4th verse very quietly, as if remebering those that have past on, and then build.
We sang it similar to what "the Choir" did. We used the simplified hymn book for hte first two verses, and sang unison, women on v1 and men on v2, also building from pianissimo. I addapted a short 5 measure transition from that hymn book (with one flat) to the current hymnn book (one sharp), which took the note up a half step.
The forth verse we used the old blue hymn book, (four flats - another half step up.) This gave our performance a similar modulation, but not requireing the skill of a concert pianist. We increased volumne with each succesive verse and then began the forth verse very quietly, as expected. After singing, "And should be die," with a fermata (birds eye - hold) the piano played a trasitional chord changing us from the current hymn book, to the old (the half step up) and we started over loud, and built to the end. (With a lot of holds, ritards, and other direction).
I felt that it went well. Running from Sacrament meeting to play the piano if primary, I don't get a lot of feed back from the congregation. No choir practice for a month. I know that we will lose any momentum that we gained from this last piece, but we will be starting Christmas music, and that always brings the people out to sing. I have found some intersting pieces, that will probably catch some of hte member off guard, but it's differences, like dynamics, that move people.
Pattern Testing, Annex Double-Zip Box Pouch
9 months ago